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Sunday, December 26, 2021

 VIGNETTES FROM MY PAST -1

One More Unsung Hero :

MY  CHUM  ANAND  MURTY

 

By Prof Madhusudan Thakur

 

A year or so ago, while I was trying to tackle what I have all along considered a well-nigh

unlikely task---writing to make an objective assessment of an intimate friend who  was no more with us, calling him an unsung hero of sorts---I continually remembered my dear cherished contemporary, friend, secret sharer and alter-ego, one in a class by himself, not only for me but also to those few who happened to know both Anand Murty and Madhusudan closely.

 Yes,he was for my mind yet another unsung one, but not at all like the one I was writing about then at his daughter's behest. I recalled Anand Murty once again while I was making another fatuous bid to translate some poems by my late friend, the Hindi poet Ganga Prasad Vimal, which were published later at his insistence as The Unwritten and the Unseen in 2010.

 At my age I really don't know what to say of the way memory operates, but as yet another secret sharer of mine decades younger to me says: "Memory plays tricks, it fades and flashes; narratives lose themselves and lie in wait to be found...." True to his name, Anand Murty would often lie in wait to be found. Even when we happened to meet on occasions he had little to say to me, he would always bring me joy, unfailingly so: he seemed to sense without words between us, what I was going through in my life at that point existentially, but it wasn't simply that : he knew how I was dealing with it and revelled in it.

 The course of our lives were set far apart by circumstances for long periods of time, and yet when our paths crossed, it was always as though we had never ever been parted. He was ever there for me where we had been together the last time, sometimes years and years ago. Perhaps I was there for him too, who knows.

 It was almost as if we were soul-mates in a strange surreal ineffable sense,  at once simple and profound like words at the summits of poetry, like notes in a Sonata of Bach or Beethoven that we could share and rejoice in. Indeed , it seems to me the two of us had reached out to each other to arrive where no separation ever mattered and even time had turned timeless. It is just one of those things that happen to people as though by a blessing, a gift from beyond.

 Of course, we were both brought together by our love of letters, by our vocation as teachers, but our relationship was something apart, being induced by forces beyond us, forces we could hardly define or even point to. Anand Murty knew my dedication to Nirala-ji's work, especially work from his last phase covering Geet-Kunj, Archana and Aradhana, and being his father's son, he knew what it meant to me at a depth that no one else could possibly have plumbed and he knew that I knew this without words between us. It remained a mystery to each of us what brought us so close to each other and yet we knew our bond for a fact. Indeed, it was so transparent that some few among our common acquaintances sensed it and wondered no end at the phenomenon.

 I distinctly remember one occasion nearly seven decades ago when Anand Murty tried to speak of it among a small close group, no more than half a dozen of us, but gave it up a couple minutes later: the spring of the truly unspeakable had been touched in him, to the amazement of all present except Madhusudan.

 It would be a vanity of vanities in me if I on my part so many years later tried to articulate what we had for each other in which we rejoiced whenever we happened or found occasions to meet. Suffice it then to say that Anand Murty represented for me something utterly indefinable and yet so palpable that it continues to be present to me even after all these years. Even to try and attempt to answer the question what it is that his presence means to me would be very much like John Donne - four centuries ago - asking us to tell him where the past years are.

                                                                                                 [ New Delhi, 25 December, 2021]




 TO THIS LET ME ADD…

 BSM Murty

 Few people today would be able to fathom the depth of feeling in such writing. Indeed, it is something indescribable, something beyond words. This is a forgotten, little known story of two lovers of literature – especially, English and western literatures, who were ‘soul-mates in the truest sense. It was all seen by me, understood by me to a lesser extent.

 Prof Madhusudan Thakur was my teacher, who gave us about a dozen lectures on George Eliot’s ‘Middlemarch’ in our final MA class. His lectures were so profound that only a few of us would listen to them – as if swimming with them. I can say today that they gave me a fresh critical understanding of the art of fiction. Leavis expounds on that novel in his ‘Great Tradition’ – a landmark book in fiction criticism.

 Prof. Thakur was one of the most humble and submissive teachers that taught us, hardly ever looking up from the text before him on the lectern. Only a very few of us were his admirers, because of the depth of his lectures. Though he taught us only for a few months, but I must admit that he left a deep critical imprint on my literary sensibility. He was also a very intimate friend of my elder brother, Shri Anand Murty (about whom he writes so feelingly in his memoir given above.)

 Dr Thakur never married, and now lives the life of a recluse, a philosopher saint. He has published many books of translation – of Nirala’s poems, Tulsidas’s ‘Vinay Patrika’, poems of Ganga Prasad Vimal, another of his close friends. Two of his books – ‘Selected Poems of  Nirala’ and ‘Epochal Voices’ are published by Sahitya Academy, including some books in Maithili.

 He is overly affectionate towards me, not only as his favourite student, but his buddy’s younger brother. I have remained in touch with him eversince. He belongs to a famous family in Mithila. His father, late Pushkar Thakur, was Welfare Secretary to Bihar Government, one of the most illustrious bureaucrats in Bihar. Other distinguished names are – Dr Damodar Thakur, Professor of English, Janardan Thakur and his son,Sankarshan Thakur (Dr MMT’s nephew, the latter two – eminent journalists and writers in their own right.

 Once, in Delhi  he came all the way from Palam Vihar to meet me at my nephew’s place in Vasant Kunj. And since then, of and on, we have been in touch through long telephonic conversations.

Dr MM Thakur is still in relatively good health at 90, and talking to him nowadays on phone, I feel like a young man of 25!

 May Prof.Thakur live to complete a century!

More reminiscences of  my university days will follow in this series

 All photos taken by me in the late 1950s.

Text & Photos © Dr BSM Murty