Kedarnath Singh : 10 Translated
Poems
1.Nameless River
Cleaving my village
Much before the first man came
Silently flows a very thin river
That has no name!
Have you ever seen a river
How it looks without a name?
Full of algae and moss and mud
She has been flowing for hundreds of years
Just like this – looking for a name
The river of my village
When someone dies
People lift him up
And burn him somewhere around
Where the river is most lonely and silent
When I was a child I often thought
One whom people burn near the river
What would the river do with it!
Quite late after the sunrise
Come the buffaloes
To bathe in the river
Where it is deep it shakes for the first time
Then comes Jumman Miyan
Carrying his long fishing line and bait
For the first time comes a shine in the river
As if the river has recognized Jumman Miyan
And till the sun goes down
There at one place
With his fish hook sunk in the water
Jumman Miyan would sit transfixed
How many fish during the day
Get stung by his hook?
How many shrimp, how much moss
Would jump out of the water
Into his bag
No one knows
Who gives a name to a river
Have you ever thought?
From morning till evening
Does Jumman Miyan sit there alone
By the bank of the river
Looking for a name for it?
“Bina Nam ki Nadi” (1980)
2. People surrounded in flood
People surrounded in flood
Do not pray
They would look at the waters
In total trust
And one day
Without any notice
They would leave
For somewhere else
Carrying their belongings
On the back of a mule
Or on a bullock or buffalo
How strange it is that
However devastating
The flood may be
They do find some place
Even in the waters
Some sunshine
A piece of sky
And they would pitch
Some pillars
Spread some sackcloth
Tie some moonj ropes
And fix a tarpaulin
People surrounded in flood
Would bring with them
The smell of straw
The bare rind of mangoes
Empty tins, fried gram
Fire and a chillum
Then get washed away
Their cattle, their puja bells
And their man-sized
Idol of god Hanuman
The mud walls
Of their hutments
The painted elephants
And horses on the walls
The flowers and motifs
All get washed away
But people surrounded in flood
Never complain and would
Always save some fire
In the holes of their chillums
Then the sun would set
Loud voices floating on the waters
Would come from somewhere
Smoke would rise
From some corner
Hovering over trees
And people surrounded in flood
Would become restive
They would light up
A broken lantern
Hang it on a tall bamboo
So that their presence
Should reach across the waters
Then in that dim light
Gazing into the eyes of the waters
They would stand for the whole night
Before the waters
By the side of the waters
Against the waters
Only within them
Like some landslide
Something breaks down
Something falls in the waters
Chhapaak!...Chhapaak!
“Pani Men Ghire Hue Log” [Yahan se Dekho,
1999]
3. Cranes in a drought
Three in the afternoon
They came
When they came
No one even thought
They could come like this
One after another
In flocks and hordes
Slowly they came
Slowly they spread around
In the whole sky
Slowly the whole town
Was filled with
Their craning noise
For long they kept
Circling over the town
For long they would shed
From their wings
Over the roofs and shacks
The tang of dry paddy straw
Suddenly an old woman
Saw them – sure, sure
They have come
Looking for water
She thought
She went into the kitchen
Brought a pot full of water
And kept it in the middle
Of the courtyard
But the cranes kept
Circling over the town
Neither seeing the old woman
Nor the pot full of water
The cranes didn’t even know
People who lived below
Call them cranes
Looking for water
They had come
From far off
places
So, craning their necks
They looked behind once
A glance full of hate or pity
It was hard to know
But for once they did
Look back at the town
Then flapping
Their wings in the air
They were lost
In the distance
“Akaal Men Saras” [ Akal Men Saras,1988]
4. Grass in drought
It’s a terrible drought
The birds are fled
The ants –male and female -
All have left the holes
And the tree trunks
Even doors with their frames
Have left the homes
And gone no one knows where
A terrible drought it is
The cattle are standing
Looking at each other
Father says
He never saw such drought -
Drought that would scorch
All grass in the village
Never heard
All the grass
Getting scorched
But grass never dies
Saying this
Father falls silent
I go out
Looking for grass
Searching everywhere
Peering into wells
Stomping around
Lanes and crossings
Grass is nowhere
Only empty gaping
Buckets, pots, vessels
I pry into them
Into the cups of people’s eyes
Looking for grass
But there is no grass
No grass anywhere
In the end after searching
Everywhere in the village
I return frustrated
Sidestep the gutter
Beside the well
Suddenly I see amid
Scattered splinters of glass
A tiny green leaf
Of grass – yes, yes
Of grass – I can see it
I return and give
This news to father
His face glows
Even in darkness
‘Much is there still –
If grass is there’
He mutters
Then father is lost
In deep thought
“Akaal Men Doob” [1988]
5. Smell of not being*
Now there was nothing
Only we were returning
So many people with heads bowed
Were returning silently
After offering him to the river
And the river looked more
Generous and infinite than before
Even in that darkness
Its flow was as gentle
As dark and nervous
And now we were returning
As now we were entirely emptied
And most emptied were our shoulders
Because now we had paid back
Our debt to the river
Someone had that lantern
In his hand, burning dimly
Walking ahead of us
So we saw the village
So we entered
Into the village again
The doors of that house
Were still ajar, with nothing more
As per ritual, only some fire
Simmering near the doorpost
And a little beside
Was kept the iron piece
We went by turns near the fire
Near the iron piece
By turns we bent
To touch the fire
And the iron piece
We were thus purified
Thus we had returned
To the sad neighbourhood
Of the living
Nothing there was
Except the mud walls
And the sodden roof tiles
And the smell
Of someone not being
“Na Hone Ki Gandh” [ Akal Men Saras, 1988)
6. Grass
She is the gypsy chased out
From all cities in the world
Looking for a name and address
In the dust of your city
In the democracy
Of human beings
There should be
An incessant discussion
On the question of grass
But till that time
As a beginning I proclaim
That in the next election
I shall vote
In favour of grass
Whether anyone votes
Or not, carrying a banner
Of a small grass leaf
She is always in the race
At any time
In any place
She is stubborn
To grow
“Ghas” [From Shrishti par Pahara,
2014]
[The main article “Kedarnath Singh:A Poet in
Translation” and the six poems given above were published in Indian
Literature 312, July-August, 2019]
Four more poems of Kedarnath Singh translated by me
7. One
who knows a woman
Let the wind blow
And forget that woman
You love
You will get the fragrance
Of the leaves in forest
The warmth of the fur of an animal
You will get a strong stone
On which you may sit
Touch the stone
You’ll hear the music of water
Lift a leaf
And you will find yourself
Flowing like blood in its veins
You’ll come out
And you’ll get the sun
Herding his sheep like a shepherd
Look at him
Recognize him
Feel him on your neck
And your forehead
The heat would slowly
Prepare you for that ordeal
Which you yourself are
After the next Wednesday
The last Saturday
You may not remember at all
You may enter into your city
And feel that city has the name
Of the absence of a woman
(The first name of the city
No one knows)
You will see the tree
And feel as if it is throwing
Its roots at you
The roots are spreading in your blood
You’ll feel
Bear them – smell them
Let them spread
It’s the music of the roots
Ringing in your veins
Look not at the watch
Even the trees can
Give you the time
Even the leaves can fling you
Whither you have to go
Let the wind blow
Move ahead – a little more
And you’ll find you are forgetting
The day, the name, the date
Forgetting the city, the colour,
The faces
But the eyes would still remain
Like the warmth in the body after bathing
They would still remain within you
And you will feel
Grass is growing in your soul
Don’t get alarmed
There’s no wonder
He who knows a woman
For him it’s no wonder at all
Move ahead – a little more
At the end – the very end
You will see a river
Seeing a river after a long journey
You’ll find startling
You’ll be taken aback seeing it
That the water still has the same shine
That you had seen last March
“Jo ek stree ko janata hai” [1978]
8. With the new day
With the new day
A blank page has opened
Of our love
Morning,
Write your name on it somewhere!
I will put it among
The many sombre pages, somewhere,
And whenever the wind will come
And blow away suddenly the closed pages
The name, kept like a peacock feather,
Inside somewhere,
I’ll read it every time
“Naye Din Ke Sath” [1958]
9. Two minutes’ silence
Brothers and sisters
The day is going down
On this day going down
Two minutes’ silence
On the bird going away
On the water that lies still
On the night that is coming on
Two minutes’ silence
On that which is
On that which is not
On that what could have been
Two minutes’ silence
On the peel that lies fallen
On the grass that is broken
On every plan
On every development
Two minutes’ silence
On this great century
On the great intents
Of the great century
On the great words
On the great promises
Two minutes’ silence
Brothers and sisters
On this great epithet
Two minutes’ silence
“Do minat ka maun” [ Yahan Se Dekho, 1983]
10. Lips
Every morning
The lips would need a name
Deep red and gluey like honey
That only oozes from a human body
Quite often
The lips would want to live
Separately from the body
To shiver and squirm in pain
Separately from the body
But knowing that
As not possible
They would swallow their anger
And start singing
Where they be
Often behind the bars
A voice
A palm
Or lips pining
For a door-frame
Slowly become
Like a hard stone
And stones also have lips
Even sand or ash have them
Earth itself from here to there
Is lips and lips only
Whatever it be
The lips would need every evening
A burning truth
Glittering with
Thousands of lies
However they be
Lips would need much more
They would need the salt of ‘yes’
And the iron of ‘no’
And often both - together
But in fact
After giving all their statement
Lips would need
Only two lips
Hot and opening
And speaking lips.
“Honth” [Akal Men Saras, 1988]
© BSM Murty
Photo : Courtesy Google Images
*The title "Smell of not being' has been misprinted in Indian Literature without 'not'.
*The title "Smell of not being' has been misprinted in Indian Literature without 'not'.
[For older posts on Kedarnath Singh
and translation of his sequenced poem “Bagh” go to 2018, May 25 & July 15
on this blog.]
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